Beethoven Piano Sonata #5 In C Minor, Op. 10, No. 5 – 3. Finale Prestissimo by Daniel Barenboim
Posted by admin on 28th 1月 2012 in Piano Sonata
The third movement is a highly nervous piece in sonata form, making heavy use of a figure of five eighth notes. The coda slows the tempo down, leading to a final outburst which fades to a quiet but agitated C major.
Video Rating: 4 / 5
Maurizio Pollini performing the third movement of Beethoven’s Piano Sonata No. 31 in A flat major
This video is over at 5:30.
The remaining half has not been recorded.
Why did you post this movie incomplete?
You should remove unwanted parts.
Of the total playing time 8:34, approximately half are non-recording.
the theme of destiny here too
He truly was a gifted man I love his masterpieces they help my mind think clearly and clam down
Kinda sound like old school opeth
i’ve just learned the notes for the first section of the 3:40 version of final sonata 5 op10 no1, which then repeat the same melody for the 2nd part. But after ive listened to this, i realise that i’ve played the wrong dynamics/volume at some parts.
my 2 month old daughter is loving this. future piano prodigy
2idiot haters!
155555 views!
I scroll down from the video so I can listen to the song and not have to look at him in the video, only to be exposed to horrible vile comments in the comment section below. You people make me sick.
This is one of his best pieces!
@daniel81117 How much do you actually know of music that the definition of _song_ puts you so far from anyone else?
I tire of hearing these kinds of criticisms–they are far more obnoxious than the ignorance itself and are designed to make assault or feign intelligence for sake of vanity rather than to enlighten.
magnifique
@41hz hahahahahahaha its ok dad
@HaydarPKKkurd This is why I told your mom I wouldn’t take care of you even on the weekends. No respect. Anyhow, I hope my sperm worked out for you. Ah, I love being able to have given you the gift of life. Your welcome son.
@41hz I would say the same bout yo mama but I woudlnt touch her nasty crusty stinkin fat hairy pussy if u payed me, no matter how much she beg me like the skanky ass hoe that she is bahahaha
@HaydarPKKkurd That’s what I said to your mom with all that moaning earlier today! Tell her happy mother’s day again for me and no I still don’t want to talk about custody.
@41hz shut the fuck up fool
@daniel81117 yo mama
i dont understand shit of your video description :-/
Relax!! What’s the big deal if some of us call a piece a “song”? Isn’t it important for all of us to enjoy this music regardless of our background? I hate it when people need to be elitist about beautiful things.
@mrpimp5061 (continued) By cutting out the snobbery and letting people in. This kind of crap locks the door for most people. Most of these composers wrote for people not snobbish elitists. That was just who paid their salaries. So if untrained musicians and those who are not aware of the beauty of classical music call all music, songs, it would behoove us to allow language to evolve to reflect the times instead of choking it. Nice job. Let go of the music’s throat and let it breathe.
@mrpimp5061 because you don’t know. Fortunately, the rest of the world allows language to evolve with people. Unfortunately, the classical music world in this country remains so steadfast to convention that it is effectively killing it off. Orchestra after orchestra is folding. There are fewer places to play. Funding is cut more every year. Music education is being cut dramatically. How do you attract new fans for an idiom that, with jazz makes up 1% of album sales world wide? (continued)
Thumbs up if you wish one day living and enjoying music with Beethoven in Wien!!!!
such an underrated sonata!!!
it’s so sad….. and touching…
i love beethoven…
Go CHARGERS!
@taviona dont you think schiff is just a tad juvenile in his analyses? He describes the 32nd as an expostition of the appolinian and the dionysian! Thats really too simplistic dont you think?
the fugue is too fast / agitated…
Profundis clamavi
@MisterNoobs2 @MisterNoobs2 hello compadre- read feuerbach and marx on christian thought-
i think you’ll love it.
great
I think the piece is a Lamentation, a song of exhaustion, death of love, and sadness… though the fugue at the end relieved all of these sadness.
I am surprised at the profound interpretation by Polini of this piece, as well as the good quality of the acoustics. Though I don’t like Polini playing Chopin, this time he really did a good job. In the fugue, almost every note can be heard clearly. And the slow parts are touching. Thanks for uploading!!
This has always remained my most beloved piano sonata, and for evident reasons! The way in which the first fugue dies away, only to be taken up again for the final ascent, is truly miraculous. No greater glory and beauty rests in any music than this music. Hear how it falls away, only to rocket itself eternally upward to the final, joyous cataclysm!
This is music which can only renew the soul every time it is heard. A far cry from the degeneracy of Webern!
wow you got an arcimboldos painture as your profile image , i love that painture , the libraryman i think it is called
If you enter “schiff beethoven guardian” in google, the first result takes you to a page where you can (legally) download audio clips of lecture-recitals of Beethoven’s piano sonatas played by Andras Schiff. In his opinion this movement displays sickness (the first adagio section), hope (the first fugue), then deeper sickness (2nd adagio) and finally cure and redemption (not in the religious sense). I don’t know why I just wrote all this but I think the last 15 or so bars are just very powerful.
Indeed it is.
To clarify, I do not doubt Beethoven’s humanity – it is that which grants his music such meaning to thousands.
I’m sorry to disagree with you but it has been said that Beethoven had a deep humanity and suffered much. His music was so brilliant and wonderful with an enormous amount of insight. No wonder the devil wanted to shut him up by making him deaf. But, He overcame all odds and prevailed. May God bless The Maestro.
Very close, but I think I would describe it as spiritual in the way it connects to and moves such diverse people. It gives each one of us a completely unique view of its own significance to ourselves, and my images are just an interpretation.
All in all, it is spiritual from a deeply humanistic standpoint – like all great art.
What the person that posted this video meant, is that the origin of this piece comes from a great spirit. A spirit greater than most spirits.
Its giving me around the end , A giant explosion something like the “Big bang” And then all the peaces are thrown just like the stars and then you see a fraction of hope Or the beginning of stars glittering , glowing on there way , and ends with a question , Will the hope survives?.It looks like he believe in that , Well thats kinda what i see it right now, But i can’t never really interpret as Beethoven heard it .
i agree with you
i totally agree with you. i don’t which idiot gave you a negative sign.
You know more than you think about classical music. You interpreted this piece to how it makes you think and feel, which to me is what classical music is all about. You let the piece listen to you.
I think you interpreted it very well.
I like this piece…. I dont know how to explain it, but it seems like…. a piece about facing reality, sad and accepting…. well I know nothing about classical music, its just my feelings about this piece…. I guess I have to learn a little bit about Beethoven